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Maria Luisa Ceciarelli (3 November 1931 – 2 February 2022), known professionally as Monica Vitti, was an Italian actress who starred in several award-winning films directed by Michelangelo Antonioni during the 1960s. She appeared with Marcello Mastroianni, , , , and . On her death, Italian culture minister Dario Franceschini called her "the Queen of Italian cinema".

Vitti won five David di Donatello Awards for Best Actress, seven Italian Golden Globes for Best Actress, the Career Golden Globe, and the Venice Film Festival Career Golden Lion Award.

(1998). 9788877422217, Gremese Editore, 1998.


Early life
Born Maria Luisa Ceciarelli in Rome on 3 November 1931 to Adele Vittiglia, from , and Angelo Ceciarelli. She took her stage name from her mother's maiden name. Vitti acted in amateur productions as a teenager, then trained as an actress at Rome's National Academy of Dramatic Arts (graduating in 1953) and at Pittman's College, where she played a teen in a charity performance of 's La nemica. She toured Germany with an Italian acting troupe, and her first stage appearance in Rome was for a production of Niccolò Machiavelli's .


Film career

Early roles
Vitti's first film role was an uncredited bit part in 's Laugh! Laugh! Laugh! (1954). She was in Adriana Lecouvreur (1955), the TV series (1956) and the TV movies Questi ragazzi (1956) and Il tunnel (1958). She did an episode of the television series (1958) and dubbed 's voice in Big Deal on Madonna Street (1958).

Vitti's first widely noted performance was at 26, in 's (1958) with . She was in the TV movie Il borghese gentiluomo (1959).Features/Articles/People: Monica Vitti. Walter, Eugene. Vogue; New York Vol. 147, Iss. 4, (15 February 1966): 122, 123, 124, 125, 155.


Antonioni
In 1957 she joined Michelangelo Antonioni's Teatro Nuovo di Milano and dubbed the voice of Dorian Gray in the director's ( The Cry, 1957). Over the next several years in several "intense portraits of alienation she became the perfect mouthpiece for Antonioni himself".
(2025). 9780810870598, Scarecrow Press.
She played a leading role in Antonioni's internationally praised film L'Avventura (1960) as a detached and cool protagonist drifting into a relationship with the lover of her missing girlfriend. Giving a screen presence that has been described as "stunning", she is also credited with helping Antonioni raise money for the production and sticking with him through daunting location shooting. L'Avventura made Vitti an international star. Her image later appeared on an Italian postage stamp commemorating the film. According to The New York Times, Vitti's "air of disenchantment perfectly conveys the unreal aura of her heroines."

Vitti received critical praise for her starring roles in the Antonioni film ( Night, 1961), with and Marcello Mastroianni. Vitti starred in a TV movie Le notti bianche (1962), then did a third with Antonioni, L'Eclisse (1962) with .Houston, Penelope. "The Eclipse". Sight and Sound; London Vol. 32, Iss. 2 (Spring 1963): 90.

Vitti was one of many stars in an anthology movie, Three Fables of Love (1962). She had a cameo in Sweet and Sour (1963) and played the lead in a comedy for , Nutty, Naughty Chateau (1963). Vitti was then in another anthology film (1964) and made a fourth with Antonioni, Il Deserto Rosso ( Red Desert, 1964), with . The director said Vitti "certainly inspires me, because I like to watch and direct her, but the parts I give her are a long way from her own character."In the Red Desert Manceaux, Michele. Sight and Sound; London Vol. 33, Iss. 3, (Summer 1964): 118. After Vitti's relationship with Antonioni ended, the two did not work together again until The Mystery of Oberwald (1980).

Vitti starred in a comedy for , The Flying Saucer (1964), and appeared in the anthology, (1964).


International films
Vitti's first English-language film was Modesty Blaise (1966), a mod spy spoof that co-starred and and was directed by : it had only mixed success and received harsh critical reviews.

She performed in the anthology movie The Queens (1966), a television series Les fables de La Fontaine (1966), Kill Me Quick, I'm Cold (1967) with , and I Married You for Fun (1967).

Vitti appeared in On My Way to the Crusades, I Met a Girl Who... (1967) with , The Girl with a Pistol (1968) with , The Bitch Wants Blood (1969) with , and Help Me, My Love (1969) with .Movie Call Sheet: Columbia to Film 'Gorgeous'. Martin, Betty. Los Angeles Times 19 September 1966: C28.


1970s
Vitti starred with Marcello Mastroianni in 's highly successful romantic comedy, Dramma della gelosia ( The Pizza Triangle, 1970). She followed it with Ninì Tirabusciò, la donna che inventò la mossa (1970), Man and Wife (1970) with Sordi, The Pacifist (1970), La supertestimone (1971), That's How We Women Are (1971), and Orders Are Orders (1972).Beauty Bulletin: Monica Vitti: A Woman for All Seasons, Vogue; New York Vol. 156, Iss. 9, (15 November 1970): 148, 149.

Vitti was in a version of La Tosca (1973) and in several comedies directed by Carlo Di Palma, who was her partner for several years in the 1970s, beginning with Teresa the Thief (1973).

(2025). 9780810870598, Scarecrow Press. .
She made Polvere di stelle (1973), directed by , for which she won the 1974 David di Donatello award for Best Actress.

Vitti played a key part in one of the vignettes in Luis Buñuel's The Phantom of Liberty (1974). She did two films with Claudia Cardinale, The Immortal Bachelor (1975) and Blonde in Black Leather (1975).

(2025). 9781538119488, Rowman and Littlefield. .

She was in Duck in Orange Sauce (1975),

(2025). 9780810870598, Scarecrow Press. .
Mimì Bluette... fiore del mio giardino (1976), Basta che non si sappia in giro!.. (1977), L'altra metà del cielo (1977), (1978), Il cilindro (1978, for television), Per vivere meglio, divertitevi con noi (1978), (1978),
(2025). 9780810870598, Scarecrow Press. .
and Tigers in Lipstick (1979) (with ).

Vitti's second English-language film was An Almost Perfect Affair (1979), directed by Michael Ritchie and co-starring , which was set during the Cannes Film Festival.OF PIRATES AND PERRIER. Rosenfield, Paul. Los Angeles Times 26 August 1979: m1. A New York Times article from that period reported Vitti had resisted starring in American films as she did not like long travel, especially by air, and believed that her English was not of a high enough standard.At the Movies: Monica Vitti working again on a project with Antonioni. Buckley, Tom. The New York Times, 11 May 1979: C6. Indeed, such was her aversion to travelling from Europe that Paramount Pictures was apparently forced to cancel the first leg of a publicity tour organised in the US to promote the release of An Almost Perfect Affair.If Vanessa talks Trotsky, Timothy trots. Adams Sloan, Robin. Detroit Free Press 16 April 1979: 11B.


Later career
Vitti reunited with Antonioni in The Mystery of Oberwald ( Il mistero di Oberwald, 1980). She followed it with I Don't Understand You Anymore (1980), Camera d'albergo (1981), Tango of Jealousy (1981), I Know That You Know That I Know (1982) with Sordi, Scusa se è poco (1982), Flirt (1983), and (1986). She also co-wrote the last two films. In 1984, France awarded her the Order of Arts and Letters. French Culture Minister Jack Lang praised her for helping spur a renewal of Italian films: "We need Italian cinema to find its health again so that French cinema will not remain an island in the middle of other European countries," Lang said. On 26 January 1995, she was raised to the rank of Commander of that Order. By 1986, Vitti had returned to the theatre as an actress and teacher.

In 1989, Vitti tried writing and directing and created (1990), in which she also starred alongside .Scandal, sex, lies and Vitti tapes: After a life in front of the camera, Monica Vitti has stepped behind it as director Vidal, John. The Guardian 11 May 1990: 36. The film was unsuccessful commercially and she then retired from cinema. During the 1990s, she did television work, acting in the television miniseries (1992).

In 1993, Vitti was awarded the Festival Tribute at the Créteil International Women's Film Festival in France.


Personal life and death
Antonioni and Vitti met in the late 1950s, and their relationship grew stronger after L'Avventura was made, because it had shaped both their careers. By the late 1960s, they ceased working on films, making the relationship strained until it officially ended. In a later interview, Vitti stated that Antonioni ended their relationship. For several years in the 1970s her partner was Carlo Di Palma, best known as a cinematographer though she starred in three films he directed. In 2000, Vitti married Roberto Russo, with whom she had been in a relationship since 1973. She made her last public appearance in 2002 when she attended the Paris premiere of the stage musical Notre-Dame de Paris. In 2011, it was disclosed that Alzheimer's disease had "removed her from the public gaze for the last 15 years". In 2018, her husband confirmed she was still living at home with him in Rome and that he looked after her with the assistance of a caregiver. Vitti died of complications from Dementia with Lewy bodies disease in Rome on 2 February 2022, at the age of 90.


Awards
  • Nastro d'Argento for Best Supporting Actress, 1962
  • Nastro d'Argento for Best Actress, 1969 and 1976
  • David di Donatello for Best Actress: 1969 for The Girl with a Pistol,
    (2025). 9780810870598, Scarecrow Press. .
    1971, 1974, 1976 for Duck in Orange Sauce, and 1979 for Amori miei
  • (Italy): 4 occasions
  • , 34th Berlin International Film Festival, 1984
  • Leone d'oro for Lifetime Achievement, 1995
    (2025). 9780810870598, Scarecrow Press. .


Filmography
1954Laugh! Laugh! Laugh!Maria TeresaUncredited
1955Adriana Lecouvreur
1956Una pelliccia di visoneLuisa Panetti
1958Le dritteOfelia Granelli
1960L'AvventuraClaudiaItalian Golden Globe Award for Best Actress Revelation
Golden Grail for Best Actress
Nominated—BAFTA for Best Foreign Actress
Nominated—Nastro d'Argento for Best Actress
1961Valentina GherardiniNastro d'Argento for Best Supporting Actress
1962L'EclisseVittoriaNominated—Nastro d'Argento for Best Actress
1962Three Fables of LoveMadeleine(segment "Le lièvre et le tortue")
Golden Plate
1963Sweet and SourElle
1963Nutty, Naughty ChateauEleanore Falsen
1963Follie d'estateMaria Teresa(archive footage)
1964Gloria(segment "La sospirosa")
Nominated—Nastro d'Argento for Best Supporting Actress
1964Red DesertGiulianaGolden Grail for Best Actress
1964Il disco volanteDolores
1965Giovanna(segment "La minestra")
1966Modesty BlaiseModesty Blaise
1966Sabina(segment "Fata Sabina")
Nominated—Nastro d'Argento for Best Supporting Actress
1967Kill Me Quick, I'm ColdGiovanna
1967I Married You for FunGiulianaItalian Golden Globe Award for Best Actress
Nominated—Golden Grail for Best Actress
Nominated—Nastro d'Argento for Best Actress
1967On My Way to the Crusades, I Met a Girl Who...Boccadoro
1968The Girl with the PistolAssunta PatanèDavid di Donatello for Best Actress
Nastro d'Argento for Best Actress
Italian Golden Globe Award for Best Actress
Golden Grail for Best Actress
1969The Scarlet LadyEva
1969Help Me, My LoveRaffaella MacchiavelliGolden Grail for Best Actress (also for The Pizza Triangle )
1970The Pizza TriangleAdelaide CiafrocchiItalian Golden Globe Award for Best Actress
1970Maria Sarti / Ninì TirabusciòDavid di Donatello for Best Actress
Nominated—Nastro d'Argento for Best Actress (also for The Pizza Triangle )
1970Man and WifeAdele
Giulia
(segment "Il frigorifero")
(segment "Il leone")
1970The PacifistBarbara
1971La SupertestimoneIsolina PantòItalian Golden Globe Award for Best Actress
1971That's How We Women AreOrchestra Member
Zoe
Annunziata
Teresa
Alberta
Eliana
Katherine
Erika
Palmira
Agata
Laura
Fulvia
(segment "Una giornata lavorativa")
(segment "Romantica")
(segment "Mamma")
(segment "Schiava d'amore")
(segment "Il mondo cammina")
(segment "Vietnam")
(segment "Et Dominus venit")
(segment "La motocicletta")
(segment "Cuore di padrone")
(segment "L'angolo dei cieli")
(segment "L'allumeuse")
(segment "Chiamate Roma 21-21")
1972Gli ordini sono ordiniGiorgia
1973La ToscaFloria ToscaItalian Golden Globe Award for Best Actress
1973Teresa the ThiefTeresa NumaNominated—Nastro d'Argento for Best Actress
1973Polvere di stelleDea DaniDavid di Donatello for Best Actress
1974The Phantom of LibertyMme Foucaud / Mrs. Foucauld
1975The Immortal BachelorTina Candela
1975Blonde in Black LeatherMiele
1975Duck in Orange SauceLisa StefaniDavid di Donatello for Best Actress
Nastro d'Argento for Best Actress
1976Mimì Bluette... fiore del mio giardinoMimì Bluette
1976Basta che non si sappia in giroArmanda
Lia
(segment "Macchina d'amore")
(segment "L'equivoco")
1977L'altra metà del cieloSusanna MaccalusoNominated—Nastro d'Argento for Best Actress
1978Angela Ravelli
1978Anna Lisa BianchiDavid di Donatello for Best Actress
1978Per vivere meglio, divertitevi con noiValentina Contarini(segment "Un incontro molto ravvicinato")
1979Tigers in LipstickMaria / The Prostitute
1979An Almost Perfect AffairMaria Barone
1980The Mystery of OberwaldThe Queen
1980I Don't Understand You AnymoreLuisa
1981Camera d'albergoFlaminiaItalian Golden Globe Award for Best Actress
1981Il tango della gelosiaLucia
1982I Know That You Know That I KnowLivia Bonetti
1982Scusa se è pocoRenata Adorni / Grazia Siriani
1983FlirtLaura
Italian Golden Globe Award for Best Actress
Nominated—David di Donatello for Best Actress
Nominated—Nastro d'Argento for Best Actress
1986Francesca è miaFrancesca
1989Margherita / wifeItalian Golden Globe for the Best First Feature
Italian Golden Globe Award for Best Actress
Nominated—David di Donatello for Best New Director


Television


Further reading
  • Antonioni, Michelangelo (1963). Michelangelo Antonioni: an introduction. Trans. by Scott Sullivan. New York: Simon and Schuster
  • Arrowsmith, William & Perry, Ted, eds. (1995). Antonioni: the poet of images. New York: Oxford University Press
  • Borsatti, Cristina (2005). Monica Vitti. Palermo: L'epos
  • Brunette, Peter (1998). The Films of Michelangelo Antonioni. New York: Cambridge University Press
  • Chatman, Seymour (1985). Antonioni, or the Surface of the World. Berkeley: University of California Press
  • Delli Colli, Laura (1987). Monica Vitti. Rome: Gremese Editore


External links
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